"The client approved it" means nothing if it lives in a phone call. A real approval is a brief on one link: notes answered, revisions tracked, and a signature that locks it. Run the whole approval below.
This is a real WeClickk brief going through approval: V1 out, client notes back, V2 signed. Drive it yourself.
You're producing Desert Film, a two-day commercial for Nike MENA: hero film, JOD 11,300, delivery Sep 10. The brief is drafted and Khalid, your client, is waiting. Send it for approval, and this is exactly what he sees on his phone.
Send the client a single link. No account, no attachments. Whatever they open is always the current version, on any device.
The client comments section by section, and every note lands where it belongs, not in a chat.
Your own notes on any section, visible only to you. The client never sees your "check price before we agree."
Every revision becomes a clearly-marked V1, V2, V3. The full history stays with the shoot, forever.
The client signs on the link: name, date, and time recorded by WeClickk. The approved version locks read-only.
The client's documented agreement to a specific version of the brief (scope, deliverables, dates, and budget) before production spends money against it. The key word is "documented": a signed version, not a reply that says "great, go ahead."
Because memory is negotiable and signatures aren't. When scope grows mid-project, the signed V2 is the neutral referee: it protects the client just as much as the production.
Then the change becomes a V3: reviewed, priced, and signed like the versions before it. The point isn't to freeze the project; it's that every version of "yes" is written down.
Email approvals scatter: the yes is in one thread, the scope in another, the budget in a spreadsheet. When brief, notes, versions, and signature live on one link, the answer to "what exactly was approved?" is one click.
Blocks, live runtime, and color-coded revisions.
PLAYBOOKThe one-page plan your crew reads the night before.
PLAYBOOKSigned on set with a QR code, before take one.
PLAYBOOKThe approved number, tracked from brief to wrap.
PLAYBOOKPlan every shot and check them off on shoot day.
PLAYBOOKThe day in blocks, and the callsheet reads from it.
PLAYBOOKStart the day, log every take, and wrap on time.
PLAYBOOKCrew, kit, talent, and locations saved once, reused every shoot.
PLAYBOOKBlocks, live runtime, and color-coded revisions.
PLAYBOOKThe one-page plan your crew reads the night before.
PLAYBOOKSigned on set with a QR code, before take one.
PLAYBOOKThe approved number, tracked from brief to wrap.
PLAYBOOKPlan every shot and check them off on shoot day.
PLAYBOOKThe day in blocks, and the callsheet reads from it.
PLAYBOOKStart the day, log every take, and wrap on time.
PLAYBOOKCrew, kit, talent, and locations saved once, reused every shoot.
Join the filmmakers, producers, and production houses running their shoots on WeClickk. Start with a 7 day free trial.
| TIME | SET / BLOCK | DURATION | DETAILS |
|---|---|---|---|
| 04:00 – 04:30 | Crew call · Ahmad Badran, Lina Haddad, Rami Saleh, Fadi Qasem, Tariq Mansour, Omar Shami, Noor Hijazi… | 30m | Haddad family home, Abdoun · Breakfast on arrival. Load in through the side street. |
| 04:30 – 05:15 | Talent call · Lara Saleh, Karim Nassar, Yousef Odeh, Maha Barakat | 45m | Haddad family home, Abdoun · Hair, makeup and wardrobe in the guest bedroom. |
| 05:15 – 05:45 | Setup | 30m | Haddad family home, Abdoun · Balcony first, we only get one sunrise. |
| 06:00 – 07:00 | SC 03 · EXT. HADDAD FAMILY BALCONY - SUNRISE | 1h | Shot 8: Balcony wide, sun over Jabal Amman · Shot 9: Teta: The sun does not wait · Shot 10: Four cups clink |
| 07:00 – 07:30 | Break | 30m | Haddad family home, Abdoun |
| 07:30 – 10:30 | SC 01 · INT. HADDAD FAMILY KITCHEN, AMMAN - DAWN | 3h | Shot 1: Kitchen wide in blue dawn light · Shot 2: Hands tear open the red bag · Shot 3: Grinder, beans falling |